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Review

“Overlaid with sometimes funny, sometimes heartbreaking personal moments that elevate the book beyond mere compendium, Hyden has the power to make you look at power ballads, Styx, and even R.E.O Speedwagon’s ‘Take It on the Run’ in a new light.” (Pitchfork)“A wise meditation on why classic rock stars keep trucking, both on the road and in our dreams. Every page is an irresistible argument starter.” (Rob Sheffield, author of Dreaming the Beatles and Love is a Mix Tape)“In this poignant tribute to the experience of being rescued by rock and roll, Hyden manages to both celebrate and mourn the inherently ephemeral magic of his heroes: the original class of rock and roll stars. His impassioned but wry prose does his saviors justice.” (Lizzy Goodman, author of Meet Me in the Bathroom)“Hyden offers another perfectly pitched study of music culture in Twilight of the Gods. A delightful, often comic, ramble into the world of classic rock, and a thought-provoking study that shows how the genre’s mythologies have shaped our collective consciousness.” (Bob Mehr, author of Trouble Boys: The True Story of the Replacements)“With Twilight of the Gods, where he sets his laser beam focus onto the Stones, Springsteen, Black Sabbath and more, Steven Hyden is better than he’s ever been. It’s crisp, purposeful work, and I’m so very excited to steal all of his ideas and present them as my own.” (Shea Serrano, author of Basketball (And Other Things) and The Rap Year Book)“One of my favorite rock critics.” (Seth Meyers)“If you love rock and roll, this book will offer delights and insights on every page; if you depend on rock and roll to make your living, this book will chill the soul beyond the bleakest works of King or Lovecraft.” (Patrick Stickles, lead singer, frontman, and songwriter of Titus Andronicus)“Hyden’s critiques are consistently on target...he has created a hilariously opinionated personal history of classic rock that should resonate with his fellow genre enthusiasts.”   (Publishers Weekly)“Warm and witty scholarship...a fleet-footed quest to understand the fascination — his and ours — with the boomer heroes who still hold an outsized place in the culture even as they’re once again dying like it’s 1969.” (Chris Klimek, The Washington Post)“[An] engaging (even loving) deflation of boomer rock heroes and traditions.” (Newsweek)

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From the Back Cover

How can classic rock live on when its idols are dying all around us? In his first book, Your Favorite Band Is Killing Me, Steven Hyden derived life meanings from pop music rivalries. In his latest undertaking, Hyden takes aim at classic rock and its profound effect on all of us—from its existence as a radio format to a social phenomenon to a way of life. Twilight of the Gods is a bold, often humorous, and effortlessly provocative book about our rock gods and the real messages they leave behind. Since the 1960s, artists like the Rolling Stones, the Who, Fleetwood Mac, the Eagles, Black Sabbath, and Bruce Springsteen have ushered the classic rock canon forward for generations. Even groups that are no longer active—the Beatles, Pink Floyd, Led Zeppelin—continue to wield an outsized amount of cultural capital; The White Album, Dark Side of the Moon, and Led Zeppelin IV are namechecked and referenced constantly in our culture. But no matter how entrenched these classic rockers have been, you can already see signs of their decline. At some point, rock will fade fully from view, just as all subcultures do.By mixing personal memoir, criticism, and journalism, Hyden explores the ways that classic rock changed the culture—how it established the album as music’s answer to the novel, and rock concerts as the secular equivalent to church—and asks whether any of these signposts can endure. He investigates the rise and fall of classic rock radio and determines whether the Rock and Roll Hall of Fame is telling the right version of rock history, and he revisits all of your favorite live bootlegs, rereads all the great tell-all rock biographies, and excavates deep down into the liner notes of rock’s greatest masterpieces to explain what we can all learn from rock gods and their music. Is classic rock ephemeral or forever?

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Product details

Paperback: 320 pages

Publisher: Dey Street Books; Reprint edition (March 19, 2019)

Language: English

ISBN-10: 0062657135

ISBN-13: 978-0062657138

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 8.3 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

60 customer reviews

Amazon Best Sellers Rank:

#363,427 in Books (See Top 100 in Books)

This is a great read for all fans of classic rock -- whether you got hooked in the heyday of Zeppelin, Floyd, Sabbath and Purple in the '70s, or fell in love with it 20 or 30 (or 40) years later thanks to Classic Rock radio. I'm in the gray-haired camp: as teenager I lived in Montana and our town had two AM stations that played Top 40 and country. Whenever I visited my grandparents in Seattle, I stayed up late every night listening to KISW and KZOK on their oversized multi-band radio. In those Northwet (not a typo) summer nights, hearing The Who sing, "Hope I die before I get old," I sometimes wondered what the mightiest of those bands would sound like in the future -- man, you know, when I'd be 30 and they'd be 45-plus...! Similar thoughts and experiences echo throughout "Twighlight of the Gods." This isn't a nostalgia trip. It's a thoughtful examination of what may happen to the music when our heroes have passed from the scene. Long live the best of rock and roll, if only in our hearts, minds, and memories.

After reading Mr. Hyden’s Your Favorite Band Is Killing Me, a book I really enjoyed, I had high expectations for this new one and I did like it; however, it was a disappointment coming on the heels of his previous, better effort.In this book, Mr. Hyden explores “the end of classic rock”. He defines classic rock as beginning with the release of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band and ending with Nine Inch Nails’ The Fragile. He talks about the importance of the live show to classic rock and “life on the road”. He explores artists and bands he adores and throws shade at those he doesn’t. All of which is expected and quite well done. I particularly liked when he wrote about the “Midwestern” music his Mom loved and “dad rock”. Still, I never felt it added up to more than just a fun approach to music criticism, which is nice, but his previous book went beyond the basics.The disappearance of rock music is something I have considered before. Chuck Klosterman did an excellent job of tilling much of the same ground in his book But What If We’re Wrong? And he managed to take this topic and make it mean more. Much like Mr. Hyden did in his first book and what I wish he would’ve done here.

Read "I Hate New Music" instead. It's more informed about the music of the 60's and 70's and is actually humorous in a dry British kind of way. This author spends waaaay too much time imparting his personal experiences with the music he is writing about. Nobody cares about what you thought your divorced parents were thinking about when they listened to Fleetwood Mac's Rumors 10 years after it came out. What did Frank Zappa say about rock journalists...?

Steven has a very casual, relatable writing style. I have been asking myself for a few years now "Does anybody ever really need to hear Hotel California again?" and this book address so many questions I have had about the genre in an informative and funny way. Seriously though, does anybody ever need to hear Hotel California again?

I bought this book to read on vacation as I sat by the pool and chilled out. And on that level, it was a great success. It's not too deep and it's mostly fun. It's not going to change your views or understanding of classic rock, but that's an awful lot to ask from a book of essays. Reading this book was like having a very long conversation with a friend with similar cultural touchstones who is super into classic rock. When the conversation spun around to bands I love, I enjoyed the book more. When the talk turned to artists I was less familiar with, like Phish, it was like having a dude drone on in my ear about a killer track that changed his life. But by and large, I usually enjoyed the conversation.There's a lot of fun fodder in this book to think and debate about. In a time when most debates in my life have turned to some kind of unending political hell, it was a great escape to take a few moments to argue the relative merits of REO Speedwagon's catalogue, the joys of a stadium tour and the line where the Stones and the Beatles switch from oldies to classic rock.I needed a break from heaviness and this book gave it to me. What more can you really ask for?

This is the sort of book where you wish it wasn’t done with when you finish.Hyden crafts severally thematically linked essays here, each presented as a “track” on his mythical album. He covers classic rock – most of the artists I ended up knowing their songs, but I was just a little too young to experience them in the moment. So was he, but somehow gained an appreciation for the music of our fathers that I didn’t grow. He writes in a way that created a nostalgia in me for not really appreciating it, and a knowledge that there will most likely not be people writing with the same fluency of the rock of my teenage years.There’s no thoughtful appreciation of Korn coming down the pike.

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